As a visual artist Sonya Rademeyer seeks to find ways to bridge cultural fragmentation through empathy as entangled artistic practice. The exhibition is conceptualized around the theme of time and erosion and explored through a decolonizing worldview. Using conceptual ideas around time, erasure, loss, invisible belonging and time as departure points to explore notions of historical cultural erasure, the more-than-human-kin (live snails) leave traces of such erasure by eating into high-end Fabriano paper.